Street Photography from Steve Mepsted

Our tutor SteveMepsted shares some of his thoughts and pictures about Street photography from his practice.

DEFINITIONS

For the purposes of this article I will define Street Photography as un-posed, candid shots of something happening in the street or a public place, most of the time street photographs are pictures of people; fellow humans and our interaction with each other and our environment. For me Street Photography is about capturing a sense of the world we all inhabit. Street photographs are always candid, they are always “found”, and they are intensely social photographs, they are mirror images of society, springing un-manipulated from continuous, ever-changing found sources.

“You can’t rehearse a Street Photograph!” Henri Cartier-Bresson.

The origins of street photography are interesting. The bulky cameras of the late 1800’s, situated in the studio and fixed to tripods, were supplanted in the 1920’s by portable hand held cameras which used 35mm roll film. One could now slip a camera into a coat pocket and freely roam the street. Society was changing too – in post-war Europe more people were leaving the safety of the sitting room, women had more freedoms and workers more leisure time. The streets were busy, thriving places and the human condition was on display for all to see – and photograph. ‘Street’ is a difficult term to define precisely – indeed a photograph taken on a beach can be said to be a street photograph, one taken in a field too, or up a mountain. The Street photograph is not defined merely by what it depicts but by a set of shifting cultural values that refer to a certain ‘look’ of something, a ‘feeling’ even, an ‘attitude’ certainly. As I have alluded; the term ‘Street’ as applied to photography, is used to stand in for ‘Social’ or ‘Public’. The street photograph is a referent not an index.

America travels 2012

America travels 2012

So, for me, street photographs are not only pictorial representations but also senses of public space, of social interaction, that tell us something about the human condition in a way that a portrait or a posed image cannot. ‘Street’ is a certain ‘look’: halfway between a movie and a photograph. A good street photograph can give you a sense of the smell of a place, the sound of a place. Close in form to ‘Documentary Photography’, street photographs can act as extremely reliable records of dress, mannerism and human relationships over time.

“99.9% of street photography is failure” – Alex Webb

Street photography is difficult and a really great street photograph does not come along every day, or even every year! Street photography often thrives on luck, chance and happenstance. However the good street photographer learns how to make their own luck: street photographers often talk of a kind of “zone”, achieved after a certain time out shooting – this is your photographic eye and brain tuned up, ready to make the most of luck; placing yourself in its way.

Mirror by Steve Mepsted

Mirror by Steve Mepsted